Via the Columbia Journalism Review, Megan Garber makes an excellent point on Hillary Clinton and the fact that she is disliked for things she can’t help such as her voice:
Because, to state the obvious, Clinton’s voice isn’t just Clinton’s voice; it’s also a woman’s voice, and everything else that that implies. That fact may not be the point of all the voice-overing when it comes to Clinton, but it’s certainly the subtext. It seems that we—myself included—spent so much time fixating on the traditional Woman in Power problem (and where we, as a society, will draw that classic, fuzzy line between assertiveness and bitchiness) that we initially missed the other side of the problem: the even fuzzier, and even more classic, line between self-assertiveness and victimhood. Because Hillary’s biggest problem, due respect to Tina Fey, isn’t that she’s a bitch. It’s that she won’t stop complaining about people saying she is. In that sense, Clinton’s voice—metaphorical and literal—has become, perhaps, a little too revealing. About her, but especially about us.
Compare Clinton to Obama, who, in matters of timbre, is, apparently, MLK, JFK, and Mel Tormé rolled into one velvet-voiced demigod. Salon has an entire piece today analyzing Obama’s voice (“Does Obama’s baritone give him an edge?”)—complete with expert testimony as to the voice’s being “the window into the heart,” and other such profundities—and illustrated with a doctored photo that casts Hillary as Lucy (her voice high, thin, and often shrill) and Barack as Ricky (his voice smooth, bold—and good enough, after all, to be a basis of his career). The piece summons the spirit of Chris thrill-up-the-leg Matthews in its treatment of the visceral splendor of Obama’s voice:
When it happens that something within us shivers or tingles at the words of a great and moving voice—Martin Luther King Jr. for my generation, Winston Churchill and Franklin Roosevelt for my parents, or even perhaps for some others Benito Mussolini—it is because there is something that leaps forth from the very anatomy of the speaker, revealing the innate grain that vibrates with a receptive grain of our own.
Now, compare that to one of the piece’s analyses of The Meaning of the Female Voice:
We wouldn’t want our hectoring mother speaking to us from the White House for the next four years.
Which says a lot—in whatever voice you say it.
I know that I like to repeat it, but Ségolène Royal had the same problem. People were able to focus without embarrassment and with too much ease on her voice to argue that she was fake, inauthentic, maternal, and manipulative. People like to talk about Golda Meir, Margaret Thatcher, and Angela Merkel to make the point that it isn’t about sexism, but about the political talent of the woman running for the highest office in her country. I disagree Golda Meir, Margaret Thatcher, and Angela were running in countries which had a parliamentary system, which meant that people were voting first for a party and second for the leader of that party. After Nancy Pelosi made it and yet, it would be disingenuous to argue that she would have been able to do what Hillary Clinton seems to be unable to do, that is to move mountains.

