Thought provoking and more importantly necessary statements from Giovanni at Bat Bean, Beam (hat tip: Daniel Trilling) comparing Haiti and Avatar (which I haven't seen because I don't want to, I still haven't digested the overkill that there was for Titanic):
The comparison may seem outrageous, but note what these two sets of comments have in common: the idea that analysis is inappropriate, criticism and a sense of time or history not befitting the moment. A large-scale human tragedy calls for immediate action; a spectacular movie calls for immediate enjoyment. In both instances, reflection is grossly inappropriate, even offensive; thus Hallward and Calder are not chastised for being wrong, but for speaking out of turn.
I guess this would also not be the time to reflect on information as spectacle and entertainment, a concept so naturalised and ingrained that raising it in the most innocuous of circumstances is bound to get you labelled as a Neil Postman wannabe, or worse. Let alone at this moment, when the circumstances are all but innocuous. So I probably ought to refrain from pointing out what everybody knows, namely, that Avatar is owned by a company called News Corporation, whose principal, one Rupert Murdoch, is a fanatical supporter of Western imperialism, both military and economic. Yet the film passes, at least amongst a significant proportion of the people who - unlike Calder’s detractors - chose to take it seriously, precisely for a critique of imperialism. Regardless of the merits of that argument, which is not my intention to discuss here, did James Cameron just a few hours ago, in accepting his Golden Globe for best director, really speak Na’vi? What kind of gesture was that? What does it mean to pay homage to the struggles of a people that does not exist, and to do so right now, at this moment in history, when it is bound to be preceded in the news bulletins by footage from Port au Prince?
Now this obviously is a coincidence, and the release of Avatar was never meant to overlap with the Haitian earthquake. But what if it dulls its reality? What if that appeal to fictional indigenous rights criminally distract us, by creating a warped space of reflection on plights that aren’t real?
It is sad to assert but in our times, disasters and everything else need to be able to produce nice pictures, infomercials to catch and to keep the attention of America first of all and of Hollywoodized world. What has bothered about the continuing Haiti saga is precisely the lack of analysis and of thoughts because we are too busy feeling, being overwhelmed by the pictures of Anderson Cooper looking tanned in the middle of glamorous misery.
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