Sugary excerpt of the week so far from Zoe Holman:
Discussing the traditional role of corporeality in protest, Judith Butler recently noted that: “if there is a body in the public sphere, it is masculine, free to create, but not itself created... When male citizens enter into the public square to debate questions of justice, revenge, war, and emancipation, they take the illuminated public square for granted as the architecturally bounded theatre of their speech.” By contrast, the female body has customarily been associated with the sexual, the childish, the labouring and the pre-political. This being the case, Butler argues for the need to interrogate and challenge the division of gendered bodies into “one that appears publicly to speak and act, and another, feminine, foreign and mute, that is generally relegated to the private and pre-political sphere.” (...)
Boobs can be fun. Boobs can be frivolous, primal or sexy. For this reason, they are compelling. In the right context, they might prove powerful. But they are also distracting. And for those women wishing to enter the theatre of political speech to debate questions of justice, emancipation, war, or indeed the sales tax on tampons, to achieve something more than lechery and to be taken seriously, they may prove a diversion.