
Sugary excerpt of the day from Jennifer Thorpe's take on the whole Brett Murray's Zuma painting (The Spear of the Nation) with his cock exposed:
Zuma has characterised himself as a man’s man. He celebrates a masculinity that emphasises sexual virility and supports polygamy in the face of an HIV epidemic spread by multiple concurrent partners; a masculinity that emphasises that men take sex when they want it and, despite being accused of rape, never once says that violence against women is wrong; and a masculinity that is heteronormative and homophobic (see comments about pushing down gay men, and appointment of John Qwelane and Mogoeng Mogoeng). His masculinity has been the core of his politics thus far, and perhaps the core appeal to those who vote for him. When it is under threat the very core of what he stands for is under threat. That the painting was defaced by men is interesting and reflects that perhaps these scary sentiments about manhood and its untouchability are shared by many other men, not only Msholozi.
For now we’ll have to see what happens in court for Zuma and for the two men who defaced Murray’s painting. In the meantime state resources will be spent in court cases that focus on what it means to be a man. The politics of the cock are alive and well. And this whole saga had taught us all that they are not up for discussion.
I have to admit that I believe that the painting to be on point for it goes to the core of what/who Zuma is and why his politics are problematic: they justify the worship of the cock, any vile behavior in the name of a non-existent africanness which force morality, ethics to be about who people are (which is determined by their race, gender, class for individuality isn't allowed) rather than about what they do. This explains why Zuma can rape have manly sex with a HIV positive woman and still become president of South Africa.