Alexander Osang on the Mannschaft, German football team at the South African World Cup and why its players were the ambassadors of a new Germany:
There was something soothing and liberating about watching this team play, and it was even more soothing and liberating to see the expressions of joy on the players' faces. They embraced each other when Klose, who had been out of form all season at Bayern Munich, finally scored a goal again in the first World Cup match, and the team hugged him as if he had just recovered from a long, serious illness. Klose later said that Podolski wouldn't let him go -- and that it was a nice feeling. They all seemed like boys having a fantastic time on a school outing. Löw thanked the players he substituted, and they thanked him, an act that was not a gesture but an expression of need. Everyone trusted everyone else. The most German of feelings that this team triggered was romanticism.
Having read and listened everything that was written and said about les Bleus, French football team and its South African debacle, I have realized that it is always easy to made footballers representatives/scapegoat of their country's successes or its ills because it is easy and because in both cases, the analogy and the analysis are convenient and so pleasurable for the ones making it weather their intent is to praise or to criticize violently and too often unfairly.
To come back to the Mannschaft, it is undoubtedly that its image is new and young, but I wonder whether that visible change is indicative of lasting and profound social transformations within Germany, in other words, if the Mannschaft different because Germany is different or just because it had to change and to adapt to the realities of football to remain the Mannshaft, that is a consistently good national football team.

